2022 Faculty & Fellows

 

 

Bruno Ceschel is the founder and director of Self Publish, Be Happy and a visiting lecturer at Camberwell College of Arts, University of the Arts London, and École cantonale d’art de Lausanne (ECAL). His latest book Self Publish, Be Happy: A DIY Photobook Manual and Manifesto was published by Aperture in 2015. He founded Self Publish, Be Happy in 2010, and has since organised events at leading arts institutions including Tate Modern (Britain), Kunsthal Charlottenborg (Denmark), MoMA PS1 (United States) and the National Gallery of Victoria (Australia), and published books by Lucas Blalock, Carmen Winant, Lorenzo Vitturi and many more. Ceschel gives lectures and workshops internationally, and also consults for leading companies interested in contemporary photography.

Erica Deeman is a visual artist working in photography, sculpture, and video to explore the intersections of race, gender, and the hybridity of Black identities. She has exhibited work nationally and internationally at Aperture Foundation, New York, NY; Pier 24 Photography, San Francisco, CA; Berkeley Art Museum, Berkeley, CA; and New Orleans Museum of Art, New Orleans, LA to name a few. Deeman was an artist-in-residence in 2019 at Headlands Center for the Arts. She is co-founder and co-director of Black [Space] Residency in San Francisco. Deeman currently splits her time between the unceded territories of the Ohlone and Chochenyo peoples and the traditional land of the Coast Salish people, including the Duwamish People.

Tonya M. Foster is the author of A Swarm of Bees in High Court, and the bilingual chapbook La Grammaire des Os; and co editor of Third Mind: Creative Writing through Visual Art. Her writing and research focus on ideas of place and emplacement, and on intersections between the visual and the written. She is an editor at Fence Magazine, and at The African-American Review. Her poetry, prose, and essays have appeared or are forthcoming in Callaloo, Tripwire, boundary2, MiPOESIAS, NYFA Arts Quarterly, the Poetry Project Newsletter, and elsewhere. Tonya is a recipient of awards and fellowships from the Ford and the Mellon Foundations, from NYFA; and has been an Artist-in-Residence at the Headlands Center for the Arts and at the Macdowell colony. Her next collections are a cross-genre collection on New Orleans—A Mathematics of Chaos: Thingification (forthcoming from Ugly Presse 2021), and Monkey Talk, a cross-genre series about race, paranoia, aesthestics, and surveillance. She is an Assistant Professor at California College of the Arts.

David Hartt lives and works in Philadelphia where he is an Assistant Professor, in the Department of Fine Arts at the University of Pennsylvania. His work explores how historic ideas and ideals persist or transform over time. 

Recent solo exhibitions include in the forest at the Graham Foundation and My Building, Your Design: Seven Portraits by David Hartt at The Art Institute of Chicago.  Additionally, his work has been included in several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art and Hedges, Edges, Dirt at the ICA in Richmond. His work is in the public collections of The Museum of Modern Art, New York, Whitney Museum of American Art, New York, The Studio Museum in Harlem, New York, The RISD Museum, Providence, The Art Institute of Chicago, Museum of Contemporary Art, Chicago, The Museum of Contemporary Photography, Chicago, Henry Art Gallery, Seattle, The National Gallery of Canada, Ottawa and The Stedelijk Museum, Amsterdam. In 2018 Hartt was the recipient of both a Pew Fellowship and a Graham Foundation Fellowship, in 2015 he was awarded a Foundation for Contemporary Art Grant, in 2012 he received an Artadia Award and was named a United States Artists Cruz Fellow and in 2011 he received a Louis Comfort Tiffany Foundation Award. Hartt is represented by Corbett vs. Dempsey, Chicago, David Nolan Gallery, New York and Galerie Thomas Schulte, Berlin.

Laura Letinsky, BFA from the University of Manitoba, 1986, and MFA from Yale University’s School of Art, 1991, is now a Professor in the Department of Visual Art at the University of Chicago. Recent exhibitions include the To Want For Nothing, Document, Chicago, The Canadian Representative at the Israeli International Photography Festival, Neither Natural nor Necessary, Mumbai Photography Festival, Mumbai, India, Producing Subjects, MIT, Cambridge, MA, The Telephone Game, Basel Design, IIl Form and Void Full, The Photographers Gallery, London, and Laura Letinsky: Still Life, Denver Art Museum, CO.  Previous shows include the Getty Museum, Los Angeles; The Canadian Museum of Contemporary Photography; The Museum of Modern Art, New York, NY, Casino Luxembourg; Museum of Modern Art, New York; and The Renaissance Society, Chicago. Collections include the Art Institute of Chicago; Hermes Collection, Paris, France, The Microsoft Art Collection, Seattle, WA, The Amon Carter Museum, The John Paul Getty Museum, Los Angeles; The Musee de Beaux-Arts, Montreal, QUE; The Museum of Fine Art, Houston, TX; and The San Francisco Museum of Modern Art. Yancey Richardson Gallery, New York represents her, and she shows with Galerie m Bochum in Bochum, Germany. A Professor at the University of Chicago since 1994, she’s also taught at the Yale University School of Art Summer Program, The University of Houston, and Bennington College. Grants and awards include the Canada Council International Residency, Kunstlerhaus Bethanien, Berlin, The Canada Council Project Grants, The Anonymous Was a Woman Award, and the John Simon Guggenheim Fellowship. Publications include Time’s Assignation, Radius Books, 2017, Ill Form and Void Full, Radius Books, 2014, Feast, Smart Museum of Art, UC Press, 2013, After All, Damiani, 2010, Hardly More Than Ever, Renaissance Society, 2004, Blink, Phaidon Press, 2002, and Venus Inferred, University of Chicago Press, 2000.
Lucy Ives is the author of two novels: Impossible Views of the World, published by Penguin Press and selected as a New York Times Book Review Editors' Choice, and Loudermilk: Or, The Real Poet; Or, The Origin of the World, published by Soft Skull Press and also a New York Times Book Review Editors' Choice. Her short fiction is collected in the recent Cosmogony (Soft Skull Press, 2021). In spring 2020, Siglio Press published The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader, the first definitive anthology of poet-architect Gins's poetry and prose, edited and with an introduction by Ives. Ives's writing has appeared in Art in America, Artforum, The Baffler, The Believer, The Chronicle of Higher Education, frieze, Granta, Lapham's Quarterly, n+1, and Vogue, among other publications. For five years she was an editor with the online magazine Triple Canopy. A graduate of Harvard and the Iowa Writers’ Workshop, she holds a Ph.D. in comparative literature from New York University. She teaches in NYU’s XE: Experimental Humanities & Social Engagement Master's program and was a recipient of a 2018 Creative Capital | Andy Warhol Foundation Arts Writers Grant. In fall of 2022, Graywolf Press will publish Ives's third novel, Life Is Everywhere.

Mark McKnight is an artist whose work has been exhibited internationally. His work has been written about in the Los Angeles Times, Interview, The New Yorker, GQ Magazine, Aperture, Art in America, Frieze, ArtForum, Brooklyn Rail, Mousse and BOMB Magazine, among others. Mark is the recipient of the 2019 Aperture Portfolio Prize, The 2020 Light Work Photo Book Award, and a 2020 Rema Hort Mann Emerging Artist Grant. His work is in the collection of The Henry Art Gallery, Seattle and the Los Angeles County Museum of Art. His first monograph Heaven is a Prison, was published by Loose Joints in September 2020. In 2021, his work was the subject of two concurrent solo exhibitions at Klaus von Nichtssagend (NY) and Park View / Paul Soto (LA) as well as a commission at the Museum of Contemporary Art, Tucson. 

Mark currently splits his time between Los Angeles and Albuquerque, where he is an Assistant Professor at The University of New Mexico.

Claudia Rankine is the author of five books of poetry, including Citizen: An American Lyric and Don’t Let Me Be Lonely; four plays including HELP, which premieres in March 2022 (The Shed, NYC), and The White Card, which premiered in February 2018 (ArtsEmerson/ American Repertory Theater) and was published by Graywolf Press in 2019; as well as numerous video collaborations. Her recent collection of essays, Just Us: An American Conversation, was published by Graywolf Press in 2020. She is the co-editor of several anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, Rankine co-founded The Racial Imaginary Institute (TRII). Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry, the Poets & Writers’ Jackson Poetry Prize, and fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists, and the National Endowment for the Arts. She teaches at  NYU in the Creative Writing Program. 

Elana Schlenker is an art director and graphic designer. Through her independent studio practice she creates visual identities, books and publications, interactive projects, and environmental graphics. Elana has received the Art Directors Club Young Gun award (2015) and been named to Print magazine’s annual New Visual Artist list (2013), a distinction recognizing the top twenty creative talents under age thirty. She was also selected for the Center for Architecture’s Graphic Design Shortlist (2015). Prior to the establishment of her studio practice, Elana worked as an art director at Condé Nast and senior designer at Princeton Architectural Press. Elana publishes Gratuitous Type, an occasional pamphlet of typographic smut, and is the creator of Less Than 100, a traveling pop up shop for gender wage parity. Elana serves on the Board of Directors of the Silver Eye Center for Photography.

Emily Skillings is the author of the poetry collection Fort Not (The Song Cave, 2017), which Publishers Weekly called a “fabulously eccentric, hypnotic, and hypervigilant debut.” Her poems can be found in Poetry, Harper’s, Boston Review, Granta, Hyperallergic, jubilat, and the Brooklyn Rail. Skillings is the editor of Parallel Movement of the Hands: Five Unfinished Longer Works by John Ashbery, which was published by Ecco/HarperCollins in 2021. Her work has recently been supported by a residency at the T.S. Eliot house in Gloucester, Mass. For over a decade, she has been a member of the Belladonna* Collaborative, a feminist poetry collective, small press, and event series. Skillings received her MFA from Columbia University School of the Arts, where she was a Creative Writing Teaching Fellow in 2017. She currently teaches creative writing at Yale, NYU, and Columbia, and lives in Brooklyn.